What other travelers are saying about Omizutori (Shunie)
Visiting Tōdai-ji was an unforgettable experience. The Daibutsuden (Great Buddha Hall) is awe-inspiring—one of the most impressive wooden structures I’ve ever seen. The giant Buddha statue is stunning and beautifully maintained. The surrounding areas are calm, green, and full of friendly deer that make the visit extra charming. Everything is well organized, and the temple grounds have a magical, serene vibe. Highly recommend adding this to your Japan itinerary!
A Distinguished Review of Tōdai-ji
Inspired by an evening visit captured in your photos
Tōdai-ji, the spiritual heart of Nara, reveals a completely different character when night begins to settle across Nara Park. Under the deepening twilight, the Great South Gate (Nandaimon) emerges like a monumental silhouette—its vast wooden beams glowing softly under lantern light, hinting at centuries of devotion, craftsmanship, and quiet resilience. Walking toward it feels like stepping into the threshold between the ordinary world and something far older and grander.
Passing beneath the gate, the two colossal Niō guardians immediately command attention. Illuminated dramatically, their carved muscles, fierce expressions, and swirling robes seem almost alive—timeless protectors frozen in an eternal moment of vigilance. Seen up close, their scale is overwhelming; even modern visitors pause in awe, dwarfed by the intensity of their presence. Few temple entrances in Japan deliver such a striking sense of power and sacred energy.
Beyond the gate, the approach to the temple opens into a serene courtyard where the evening lanterns cast a warm glow against the sweeping rooflines. The architecture—precise yet dignified—reflects Tōdai-ji’s history as one of Japan’s most important Buddhist temples and a UNESCO World Heritage Site. At this hour, when crowds thin and the sky shifts from blue to indigo, the temple feels elegantly suspended between day and night, creating an atmosphere of rare tranquility.
Even the deer of Nara, gentle residents of the surrounding park, wander quietly across the stone paths as if naturally integrated into this historic landscape. Their calm presence adds a touch of softness to the monumental scale of the temple grounds.
Your photos capture not only the architectural majesty of Tōdai-ji but also its quiet evening soul—the interplay of lantern light, ancient wood, and the serene vastness of Nara’s open space. This combination reveals why Tōdai-ji continues to be a place of pilgrimage, reflection, and reverence: it is as much an experience as it is a temple, one that humbles visitors while embracing them with centuries of living history.
First time visiting here. Previously looking at the images of the temple over 1270 years already seen very impressive. After seeing it in person is even more majestic. The status and the structure inside the temple are surreal. Entry to the premises would be 800 yen for adults and 400 yen for kids. Toddlers below the age of 6 would be FOC. It's about 15 to 20 minutes walk from the Nara station. Highly recommended.
Tōdai ji remains as grand as ever, even compared to our visit two years ago. The world’s largest wooden temple continues to impress with its scale and presence. It was very crowded during our visit, and the entrance fee has increased to Y800.
Inside, the famous pillar with a hole is still there for visitors to crawl through, adding a fun and memorable touch to the experience.
A majestic landmark that never loses its awe.
One of the more busy places in Nara, located at the northern side of nara park. The structures were very impressive and so were the Buddha statues. You are required a 800 yen admission fee to enter the main Buddha hall. There is many information about the history and architecture, pretty interesting stuff.
Omizutori takes place every year from March 1st to March 14th, culminating in the most significant rituals in the last few days.
The primary rituals of Omizutori include the dramatic fire ceremony called Otaimatsu, where giant torches are lit and paraded along the balcony of Nigatsu-do, and the sacred water drawing (Omizutori) from the Wakasa well on the final morning, believed to purify the temple and its devotees.
Omizutori is believed to cleanse the sins of people, bring about personal renewal, and ensure a year of peace and health. It is a time of reflection, repentance, and renewal for those who participate or observe.
Tourists are welcome to view the ceremonies and experience the event, though active participation in the rituals is generally reserved for the monks at Todaiji Temple.